[Image: Art Spiegelman’s black-on-black cover for the New Yorker issue immediately following the 9/11 attack (left, above) has been justly famous from the time of its publication. Less often reproduced, but equally effective, was Ana Juan’s cover for the first-year anniversary issue (right), which achieved its effects with light and the absence of black.]
From whiskey river:
Buried under all the mute experiences are those unseen ones that give our life its form, its color, and its melody. Then, when we turn to these treasures, as archaeologists of the soul, we discover how confusing they are. The object of contemplation refuses to stand still, the words bounce off the experience and in the end, pure contradictions stand on the paper. For a long time, I thought it was a defect, something to be overcome. Today I think it is different: that recognition of the confusion is the ideal path to understanding these intimate yet enigmatic experiences. That sounds strange, even bizarre, I know. But ever since I have seen the issue in this light, I have the feeling of being really awake and alive for the first time.
(Pascal Mercier [source])
…and:
A Reward
Tired and hungry, late in the day, impelled
to leave the house and search for what
might lift me back to what I had fallen away from,
I stood by the shore waiting.
I had walked in the silent woods:
the trees withdrew into their secrets.
Dusk was smoothing breadths of silk
over the lake, watery amethyst fading to gray.
Ducks were clustered in sleeping companies
afloat on their element as I was not
on mine. I turned homeward, unsatisfied.
But after a few steps, I paused, impelled again
to linger, to look North before nightfall—the expanse
of calm, of calming water, last wafts
of rose in the few high clouds.
And was rewarded:
the heron, unseen for weeks, came flying
widewinged toward me, settled
just offshore on his post,
took up his vigil.
If you ask
why this cleared a fog from my spirit,
I have no answer.
(Denise Levertov [source])
…and:
Heaven Is Not Verbose: A Notebook
(excerpt)Reader: So you want me to feel as if I were reading a letter addressed to someone else?
Poet: I want you to feel as if I had read a letter addressed to you by someone else and am shamelessly quoting from it.[…]
Reader: Do you want me to recognize my everyday world in your poems?
Poet: No, I want your world to seem unfamiliar to you, once you take your eyes off the text.
(Vera Pavlova [source])
Not from whiskey river:
A Short History of the Shadow
Thanksgiving, dark of the moon.
Nothing down here in the underworld but vague shapes and black holes,
Heaven resplendent but virtual
Above me,
trees stripped and triple-wired like Irish harps.
Lights on Pantops and Free Bridge mirror the eastern sky.
Under the bridge is the river,
the red Rivanna.
Under the river’s redemption, it says in the book,
It says in the book,
Through water and fire the whole place becomes purified,
The visible by the visible, the hidden by what is hidden.…………………
Each word, as someone once wrote, contains the universe.
The visible carries all the invisible on its back.
Tonight, in the unconditional, what moves in the long-limbed grasses,
what touches me
As though I didn’t exist?
What is it that keeps on moving,
a tiny pillar of smoke
Erect on its hind legs,
loose in the hollow grasses?
A word I don’t know yet, a little word, containing infinity,
Noiseless and unrepentant, in sift through the dry grass.
Under the tongue is the utterance.
Under the utterance is the fire, and then the only end of fire.…………………
Only Dante, in Purgatory, casts a shadow,
L’ombra della carne, the shadow of flesh—
everyone else is one.
The darkness that flows from the world’s body, gloomy spot,
Pre-dogs our footsteps, and follows us,
diaphanous bodies
Watching the nouns circle, and watching the verbs circle,
Till one of them enters the left ear and becomes a shadow
Itself, sweet word in the unwaxed ear.
This is a short history of the shadow, one part of us that’s real.
This is the way the world looks
In late November,
no leaves on the trees, no ledge to foil the lightfall.…………………
No ledge in early December either, and no ice,
La Niña unhosing the heat pump
up from the Gulf,
Orange Crush sunset over the Blue Ridge,
No shadow from anything as evening gathers its objects
And eases into earshot.
Under the influx the outtake,
Leon Battista Alberti says,
Some lights are from stars, some from the sun
And moon, and other lights are from fires.
The light from the stars makes the shadow equal to the body.
Light from fire makes it greater,
there, under the tongue, there, under the utterance.
(Charles Wright [source])
…and:
What I Know
(excerpt)1. I know that language is within the world and that, at the same time, the world is within language. I know we are at the border between language and the world.
…
20. I know that, seen from the border between language and the world, the universe is in increasing entropy. But I no longer know what it is if I climb to the top of a tree (one of these trees on the border between language and the world), from where you can see far into language and far into the world at the same time.21. Because I have scaled a tree, I know that beyond language is a huge plain, with dark flowers and little mazy footpaths.
(Patrick Dubost [source])
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